Big Bad Wolf

by Linda Reymore

“Across my work, geometry becomes a framework for thinking—about perception, structure, and the ways we construct meaning. The String Theory series visualizes forces we cannot see, using lines, circles, and shifting fields to reveal the underlying order that shapes experience. The Garden Series reflects on human attempts to organize nature, translating cultivated landscapes into patterned systems where rhythm becomes a form of knowledge. Whimsy in the Abstract turns this inquiry toward identity itself, suggesting that character can emerge from the simplest shapes, as if the self were built from deliberate arrangements of color and form. Together, these series explore how the mind seeks coherence—how we read pattern as intention, and intention as truth. My practice is grounded in slow looking and precise making, searching for the moment when abstraction becomes not just a visual language, but a way to understand the world.”